Myriam Aboukhater
05/15/2009
project 1 - Things will never be the same again.
Things will never be the same again are unique modern candles. Made out of Wax and Leds, the light compositions imitating candles shivering are made upon command.
Things will never be the same again from maryam aboukhater on Vimeo.
project 2 - Maestro
Maestro is an instrument that plays electronic tones. The music is played by moving your hands in the air over sensors, and visualized in red light bulbs.
By turning switches on and off, Maestro allows you to mix up to three different low to louder tones. You can also choose to leave Maestro play random tones by itself.
Maestro from maryam aboukhater on Vimeo.
Project 3 - The balloon Girl
The Balloon Girl is a costume prototype proposal to contemporary dancers Zack Winokur and Michelle Mola
Adding sensing experience and light effect to her original costume, the balloon girl is proposes a new way of dancing while enhancing the dancers' narrative.
The Balloon Girl from maryam aboukhater on Vimeo.
05/14/2009
Myriam - balloon girl final prototype + places I will submit this project
After implementing my circuit on the structure, I tried to put the fabric I found over it. I chose a kind of mesh that was transparent so that the dancer could see trough and at the same time tight enough to keep the lights shining inside. The thing is when I put the fabric over, the whole geometric aspect and grace of the structure disappeared, letting a massive balloon take over.The structure with the fabric would kill the dancer instead of valorizing her. At the same time, I liked the skeleton of the structure poorly fitting the dancer. It gave another dimension to the costume and the dancer was able to play with it, bending it around as if she wanted to get released from this "prison".I wanted to keep this feeling and give more narrative to it.
But the bare boning with the circuit let show the Leds. The leds didn't have to be simple leds, they had to be light shining from the dancer.
I then thought that I was naming my project the "Balloon girl", so why not putting real balloons in it?
The dancer would be trapped in those balloons, and her loud breathing through the microphone would be her suffocating and trying to get out gracefully by twisting the structure.
I chose white balloons, that would hide the leds to make their light glow.
At the same time, I wanted her to fully play with the structure, and accompany her movement while dancing. This is why instead of putting the conductive thread on her corset, I chose to have conductive ribbons falling form the structure, and giving a more floating aspect. She would have to pull them to trigger the lights and to bend the structure over at the same time.
I wish to continue exploring how to integrate technology into dancing performances for my thesis next next year.
I want to propose only this project to be funded or to be able to have a space to work at my best.
I will submit to
Art vs. Design competition
05/05/2009
Myriam - balloon girl structure progress
I made my circuit again on the Lily pad board, to be lighter and hidden in the costume.
Meanwhile, I rethought about the lights animation and disposition in the balloon.
Only the Leds that visualises always her "breathing" should be on the top: they are permanent and softer. Then, as to accentuate something, the red and cold white Leds will be placed on each diagonal.
I want each color to mark its own trace but at the same time to glow in all the balloon space.
I then added the fabric on to see the light intensity on it.
Putting the fabric will be a hard task: the boning get distorted by the weight of the fabric. That's why I bought some kind of mesh that's at the same time light enough to be place on the boning and stretch enough to follow its curves.
While placing it, Sah and I found different possibilities of sewing it that would change the overall shape.
For now, we just put the fabric on with pins. I don't want it to be sawn yet to be able to still work on the circuit and alter it.
When we put the fabric on and set the concept in the dark, the white "breathing" leds where soft and diffused enough. The other ones were not bright enough. We need to add some more.
As well, the Leds need to be implemented in some fabric to be more diffused over the lines and not appear as they are.
Here is a video. It is pretty dark but you can have a sense of the effect.
For now, I m using 360 Leds not to have spots on the fabric, but I test the regular ones and I want to try making an animation using this spot that appears.
05/04/2009
myriam - balloon girl structure
As a visualization of the dancer while performing, I had to review the light effects for my conceptMichelle has a microphone in her mouth in the end of the performance: the warm white Leds will be fading on and off with her breathing the whole time.
Then, when she or Zack triggers the conductive spots on her bustier, cold white or red Leds will turn on or off. Their fading will visualize the x and the y axis of the accelerometer placed on Michelle.
I started building the structure with the help of Sah,a fashion designer.
I decided to focus on the balloon itself and not on on the rest of the costume. I want the structure to be adaptable for other shows.
For this first prototype, I bought a simple white bra, boning and fabric to cover the boning so that we can saw it on the bra.
For now, I simply taped the arduino and breadboard on the back of the form. I want to test out the light and positions before programming it on the Lilypad.
I used white tape to integrate the Leds on the boning.
Balloon Girl test 1 from maryam aboukhater on Vimeo.
This is an overview of the concept. The code still needs to be improved.
You can look at the code for now here.Next steps:
- put the fabric on the structure to see the light effect.
- if needed, add more Leds.
- build the circuit and program on the Lilypad.
04/26/2009
04/24/2009
Myriam - Balloon Girl prototypes
In the time frame we have, I don't have time to properly set up the microphones for the performance.
When I started prototyping the microphones, I realized it was much more complicated than I thought to have live sound with arduino.
That's why I decided to concentrate on the Balloon Girl.
As I said before, Michelle, the dancer, has a structure over her head. This structure will be covered with white fabric, and a diffused light will glow inside of it.
The balloon girl is the representation of a mood, a visualization of a dance. She is given life by the dance and the lights shining within her.
I want to experience how her dance and how dancing with Zack will evolve depending on the lights.
Michelle will have on her corset three conductive fabrics, put on strategic dancing spots. Each fabric will trigger a different light color when it is pressed.
The balloon Girl will be an additional part of the performance already existing. The show is an evolving piece, and the dancers are interested in adding technology to give more expression and finding a new way of dancing.
I started working on the code to see how the capacitance sensing was working.
Here is a video of the sensing wires lighting three different lights.
Leds with capacitance sensing from maryam aboukhater on Vimeo.
here is the code
Next steps:
- build the balloon structure.
- test the leds inside to see how many is needed and how to make them glow with a sense of life
- find conductive fabric and sew it on the corset.
- start experiencing with dancers
04/21/2009
Myriam - The sound of dancing - Prototypes
1. Role
The sound of dancing is an experiment to enhance the sounds of dancers as they are performing. The sounds become the music of the show, and a perpetual dialogue is built in live while the dancers dance on their own sounds.
2. Look+Feel
I will be transforming the existing costumes of the performance to integrate the hardware in it.
For Michelle, I will add fabric on top of the head structure as it was originally planned, and diffuse light in it. The light will fade in and out with the sound of her breathing, creating an organic balloon character for the play. The balloon will visualize her current state.
Some conductive paper will be added to her corset and to Zack's jacket, to be used as switches to turn the microphones on and off. They will be triggered by the dancing, and the performance would evolve around them.
The look+feel part is subject to change depending on the Role.
The microphones need to be tested out to figure out the most interesting part of the body to put them on.
3. Role
I didn't figure out the role yet.
I want each dancer to have one arduino and two microphones.
Only Michelle will have and Led.
Playing sound with arduino is harder than I thought it would be.
I found three solutions to make my project:
1. I can hook up a multiplexer, connected to amplifiers and microphones to have a good and loud sound. The multiplexer will turn microphones on or off depending on the value of the capacitive sensing.
I will use the mini amplifier LM386, but I don't know which multiplexer to use yet.
2. I can use the Arduino Voice Shield, but it is mainly to record and play back sounds. It also has only one mic input. I could use a splitter but it will play both microphones at the same time. I need each microphone to be triggered seperately, with different switches.
3. I could make a switch system to be opened or closed depending on the value of the capacitive sensing. The microphones would be directly connected to the speakers, responding to the switch state.
Myriam - the sound of dancing project (+blueprints)
The sound of dancing is an experiement to capture and enhance the sound of dancers while they are performing. Microphones will be integrated in their costumes and mouth, triggered my their dance and interaction.
The sound of dance is a team project with dancers Zack Winokur and Michelle Mola and their current team.
1. Zack Winokur and Michelle Mola
You can watch below their current performance, where in the end Michelle has a microphone in her mouth that display her breathing and other mouth sounds. The system not being stable enough, the you can hear as well the cables moving, which create an interesting sound.
Zack and Michelle's perform with few music. It is the sound of their own dancing that makes the music.
For this performance, they added the paper sheet Zack is tearing off of this jacket.
They want their show to evolve and experiment new ways of dancing.
2. The sound of dance
How to create new unheard sounds from their dancing?
How to enhance their own movement to make music during their performance?
How can this music be a whole part of the performance?
And how this music will change and create new ways of performing?
For this project, I will be adding material to the costumes, working with the costume designer for the integration of the circuit.
Pictures by Collin Lafleche
In the performance, Michelle is wearing a structure up her
shoulders. It was originally supposed to be covered with fabric to hide
her head, with her arms going out from holes. But the fabric wasn't
stable enough, so she kept only the structure for the show.
I want to put back this fabric to pursue their idea of "Balloon girl".
In Michelle's structure, an Led would be on top to illuminate the hole balloon. The Led would fade on and off, visualizing her breath.
For both Michelle and Zack, I want to use a conductive fabric that will be torn off during the performance. The fabric on, the microphone will be on. They will be turned off as the fabric is off.
Some parts will be permanent, and used as switches for the dancers to turn on and off as they dance.
They will turn on different microphones set on various parts of their bodies.
04/17/2009
04/14/2009
Myriam - Ideas for a Plush Toy
To begin with, I am interested in making a plush toy for adults and work on the special relationship they will have.
I had two ideas for this:
1. The Barking Dog
The barking dog is a toy you put facing your front door. You can put it on and it will start barking and moving his head to knock on the door to scare off intruders.
It is at the same time a protective and decorative animal to have in your house.
2. The Talking Parrot
The parrot is a decorative and friendly stuffed animal made out of real feathers. In your living room, press a button to record a message and play it back. Once every hour, the parrot spread his wings.
3. The Huggs Bear
My third concept is for both children and adults.
It is a human size flat bear that you can sleep on and that gives you huggs.
04/13/2009
04/09/2009
04/03/2009
Myriam-Theremin like project
IMPLEMENTATION
For this project, I started building different codes (videos soon online).The first one, the scale controlled by the ultrasonic sensor is not precise enough. I need to figure out a way to change the average depending on time, so that it can be read every second for example.I then created 2 musics. One of them is the intro of "the man who sold the world" by David Bowie. But I am not going to use a melody for my final project because I think the sound is annoying.And I prefer people to play around freely with my instrument.In the end, I made a code where the tone of the music changes with the sensor, and I really liked the sound of it.
Test-tones from maryam aboukhater on Vimeo.
LOOK + FEEL
1.For the aspect of my project, I had three different ideas:One is playing with boxes and controlling rythm and notes with opening and closing them. I like the idea that the "clap" sound of the box closing can be part of the music as well.
2.The second one is a intrument made of tubes, reminding an orgue or a flute, and that has a holy spirit to it. It can illustrate the magic of playing music with your hand in the air.
3.The third one, and the one I want to make, is an "inside out" theremin. The idea is revealing the hidden mecanism of the original theremin, using light bulbs as a symbol.While you pass your hand over it, the light plays music and fades with it.It is a nice way to visualize the music you're playing as well.
03/30/2009
03/27/2009
03/13/2009
Myriam - Final Prototype "Things will never be the same again"
THINGS WILL NEVER BE THE SAME AGAIN,The beginning of a new era.
A frozen time when technology is taking over.
Things will never be the same again from maryam aboukhater on Vimeo.
For the final, I slightly changed my code. I tried different things such as playing the Leds one after the other but it disturbed more the eye than enhanced the "flame" effect. I figured it was too animated for a design in a home, but I would be more accurate if the piece was an big installation in a gallery space.
So I kept them shivering altogether, but I made the movement more subtle. As well, I added a "wind effect": in a random range of 100, every time the number 28 is played, the Leds goes off and back on one after the other as if a sudden wind blew on them.
Here is the new code.
Here is my reference sheet. I didn't put a price on it because it will be changing depending of the size of the new design.
03/10/2009
Myriam - Storyboards and Candles prototypes
My arrow is almost done, and it seemed unuseful to do it bigger for now. We can already see how it would look like by lookiing at the small one, and anyway my concept wouldn't be better if it was big or small.
Having this idea of "modern candles" a few weeks ago, I decided to start building my candles sculpture to check if my concept would work or not.
The candles scultpure are a unique design, it is different everytime, and there wouldn't be a lot of it if it goes on the market. Some will be big, some small, and the candles melted would of course never be the same. Candles is a piece you put on the table of your living room, dining table, on your chimney, to give a special atmosphere and life to your space.
I wanted the candles to be all white, to add a sense of purity. The main idea is the end of the candles and the beginning of the Leds growing in the wax, it is a frozen time piece when the organic meets technology, it is the pure confrontation of tradition and modernity, the representation of human versus machine.
I started by looking if the Leds wouldn't melt or be too heated under the wax, and to see how the effect would be. I tried with an orange Leds, then with all the colors, then white.
I didn't like the colored Leds. Their effect didn't match my expectations so I decided to stick on the white ones. I enjoyed how the Leds were glowing under the wax.
Then, I started with candles I bought, large ones. I wanted my piece to be long and and I wanted to test it on different materials and heights, so I melted my candles on a transparent piece of plastic to be able to put it later on anything I decided.
The process of melting them was long, and the wax started to be more and more grey and black. I don't know if it was because I tried to do it faster or because the wax was bad quality.
The candles melting looked nice, but the wax on the bottom looked like snow after three days, all brown and dull.
I didn't like the candles themselves as well, they were to large, making the flame dig a whole at the center and not melting nicely.
I needed long and thin candles, such as church candles, that would add more spirituality to my piece, As well, I decided to melt them on a black material, to have to white wax appear more vivid.
Candles Leds from maryam aboukhater on Vimeo.
STORYBOARDS
candles
arrow
03/06/2009
Myriam - users testing
USER TESTING
I tested my prototype of "The dying arrow" with people I would want to buy my design : Collin, a 21 years old photographer, and Athena, a 23 years old marketing junior manager at Van Cleef & Arpels jewelry. Both love, buy and make art or design.
They liked the aspect of the arrow and its concept, but had some changes they would do:
- use real mirrors
- Collin would use a different color than red for the Leds (red is obvious for an arrow sign we see everywhere). Pick one unexpected color that would even add more meaning to the sign, and gender neutral (not blue and pick, can be seen as feminism...). And maybe have more than one color.
- Athena won't put a color too aggressive. Just white Leds.
- use plexiglas instead of wood
- Colllin asked why have a frame, and not have the arrow as the design?
- make it bigger, almost human size
- have much more Leds
- the sign makes him think about old neon signs reinvented here.
- Athena likes the arrow to be inside of a frame, as a painting, and says she might get bored of the arrow alone.
about the animations:
- would like several different animations
- would like one mode where it is not animated, but all the leds are on.
- said animations could be annoying after. It depends the context where you are, but if you're alone with the design in your home, it is really disturbing to have something always moving.
- have the animation of Led blinking faster.
- would like one animation of light sweeping back and forth on the arrow, to have more movement.
Athena asked:
- why don't you make a different shape than the arrow?
She'd like to have a potentiometer to regulate the light brightness.
She would like white Leds with a warm color for the plexiglas (brown, orange) to contrast with the light.
She would like to have it home, and would put it in her corridor or bathroom.
Collin would like to have it home if there is a still mode, he was really annoyed by the lights always moving. He'd hang it on his room's wall, or just put it against the wall in his living room.
MY IDEAL USERS
1. Adrian, 25, architect.
Adrian is at the beginning of a promising career. He just moved to New York to work in his dreamed architect agency, and lives in a nice studio loft in soho. He enjoys art, has many friends in the design field, and likes taking photographs. In fact, all the decorations in his apartment are photographs of different sizes, mostly black and white. He decorated his place to be simple and modern, with enough space to work in.
In this clean atmosphere, he likes the big arrow he put in a corner against the wall of his living room. Next to the window, the arrow lighted brings life to his loft, a certain pace that makes the charm of it. He changes the arrow's mode depending on the people that are in his place, setting a different rythm, a mood to the crowd that's here. He enjoys the effect it has, and how it easily lives and dialogue with the photographs on his walls.
2. Suzy, 21, art history student.
Suzy is quite a sentimental girl. She lives with her roommate in a nice two bedroom in chelsea, and always has new stories to tell. She has an animated love life, and is always out or inviting friends home. Her and her roommate have chosen nice cheap furniture they discovered in thrifts shop. They enjoy shopping, changing. They can't live in routine.
They have the arrow they put all over the house, they carry it around. When Suzy is sad, she puts the arrow facing down and dying, When she's happy, she likes to have it up or facing a direction, animated while she's dancing alone on some music.
The arrow is a set of mind, and she sometimes uses it to communicate her mood to others.
3. Emma, 30, freelance graphic designer.
Emma lives in the West Village, in a big duplex with 6 roommates. She enjoys being a freelancer, because she's never doing the same thing, and always meeting new people. She would have killed herself if she had to work in an office, staring at the same old faces the hole day. She is happy to live with so many roommates, because everyday is different. Emma loves New York, because people move in and out, and they leave their furniture in the streets. Sometimes, she finds a beautiful piece and takes it back home to renovate it. She changes the color, adds new accessories, she transforms the furniture her own way.
She loves her arrow because it reminds her of old neon signs, but it's new. She likes playing with the different animations on it. She placed the arrow in the entrance of the apartment, and it is turned towards the living room, inviting people to come in. The entrance is dark, so having the arrow gives life to the room, and describes the atmosphere of the happy roommate she is in. It shows to people coming in a special space they're entering, that is full of surprises.
03/03/2009
Myriam - 7 prototypes
Concept
To bring a sense of time with design pieces that imitate life, human actions.
Design 1
The Dying arrow
role:
Design to be displayed on a wall.
look + feel:
Wooden box, with mirrors on the sides to reflect the Leds. All the Leds are red.
The design is easy to carry and hang by the user, and it can be opened to change a component in case of. The size is 6X6 inches, so that it discrete enough on the wall when it is not ON. It is like a frame, a painting hang on the wall. The size is small to recall a holly icon, and intrigue the viewer.
Because it is always hang on one's wall, it needs to look appealing when it is on and off. The buttons added will be the same colors than the piece: silver and red.
implementation:
In the box is a breadboad and an arduino board. There are holes in the box for a fast programing and to plug the power in.
This code plays 3 different animations with the Leds:
The dying arrow that turns off the Leds one after the other at different rythms;
The cross that turns off Leds 7 and 9 to make a cross shape in the box;
Light, that on the opposite of the dying arrow, gives birth to the arrow by turning on all the Leds, one after the other.
Design 2
Modern Candles
The candles could have a shaped of religious candles as we know them, or be at the end of their life, all melt down together to create a new form.
look+feel
The piece is made of white wax, or parafine and Leds. The technology will be mixed with the rich traditional material to create a new shape, evoking life and evolution
As Matthew Barney's pieces form the Cremaster cylce, the mixed media and was are to give birth in our world to a parallel world. The material are awkard and appealing.
implementation:
This code make the Leds fade on and off very quickly, giving an aspect of trembling candles, to create emotion and life to the candles.
Myriam - Fading Leds
I don't know yet if I want the fading to be a part of my piece, "The dying arrow", or if I want to make a new design for the fading.
To test the effect, I used 3 jumbo white Leds.
They all fade in and out together. I created 2 different codes to humanize the Leds, give them a sense of life:
imitates breathing. The Leds are turned on at different progressing rythms, and they become more and more brighter.
The Leds are trembling.
Trembling Leds from maryam aboukhater on Vimeo.
Myriam - The dying arrow - prototypes 2-3
The dying arrow is a wall decoration made of 10 red jumbo Leds.
for my second prototype, the I found a wooden box where I drilled 10 holes in arrow shape, for the Leds to pass through. The breadboard I had was big enough to contain all the Leds in the arrow shape, so I just put it next to the whole to see test the effect.
I did several prototypes with different wires and placements, but still, the Leds were not stable. I didn't know if it was a problem of connections or code.
Being sure of the aesthetics of my box, I decided to stick the Leds to the holes.
When I then connected the wires to the breadboard, I figured out that during all this time, my breadboard was broken. I replaced it orderd properly the wires and my design finally got stable.
I connected a switch to turn on and off all the circuit and arduino board.
My prototypes is made of two boxes: the top one with the arrow, and the second one behind it where are enclosed the breadboard and the arduino board.
In the bottom box, I drilled a hole for the main switch on the right side of the design, and a two holes for the USB and power plugs of the arduino board on the down side of the design
for a rapid programing and display.
I used mirrored paper all around the sides to emphasize and reflect the red light, and to add a dramatic aspect to the piece.
When it is one, it recalls a religious mexican iconography.
The switch turn the circuit on and displays "the dying arrow". The Red pushbutton on the top displays a cross shape, turning off Leds 7 and 9.
The Black pushbutton is the rebirth of the arrow. All the Leds are off and turn one to one on.
The "dying arrow" displays all the Leds on, and they blink to off one after the other, at different speed. It imitates different single lives that end individually.
The dying arrow from maryam aboukhater on Vimeo.
02/27/2009
02/20/2009
Code class paper
What were the specific technical issues (refering to wire + resistance) that prevented the early telegraph to be wired directly coast to coast?
What solution finally worked?
Illustrate how that works, allowing coast to coast telegraph communication.
The thicker and long the wire, the less resistance it has. This is why wires can't be extended indefinitely.
When the telegraph was created, the solution found for a long distance communication was having human relays, that stayed all day in a box in the middle of nowhere receiving and sending back messages to be delivered. At a certain point, they discovered that a human being wasn't necessary for the message to go through, because a single piece of wood attached to both the sounder and the keys was a good mecanism to type the message.
The key is composed by wires and electromagnet for the current to go through. People finally discovered that the electromagnet emitting current could be used to trigger a switch everytime it was on.
Time pieces
1. Online projects
John Cage: 4'33'' for piano (1952)
Musique piece that lasts for 4 minutes and 33 seconds. The piece is silent. Time sets the rhythm, and is t the major component of the music.
A beautifully orchestrated chain reaction with common objects. Each elements gives life to the next one.
2. Projects from books
Marepe: "Veja Meu Bern" (2007)
Displacement is an important element of this piece. Created to last only two days at Tate Modern's turbine hall, it illustrates the ambiance of a brazilian funfair.
Cai Guo-Qiang: "Head on" (2006)
"My installations have consistently pursued a temporal fluidity, in contrast to the stylistic freedom I allow myself. However, my works in essence contain these characteristics: a participatory nature and a flow of time".
Cai Guo-Qiang
3. Toy Fair
Fascinations
Although I really don't like its black box design, I enjoyed the system on this clock displaying time and messages in the air. Using persistence of vision, the clock appeared magical.
Shailie
This design doesn't include technology, but it is a smart way for girls to develop their creativity, power of decision and their taste.
The cute little dress form comes with a plain white dress, and then girls pick up fabrics and accessories to create their princess dress.
02/10/2009
Time - The dying arrow
The dying arrow is a project made of red and orange LEDs, that are all HIGH , and then turn one to one LOW. Such as a neon symbol not functioning well in bars, the "dying arrow" shows the passage of time where life goes off.
I really enjoyed the rough aspect of my prototype, where you can see the wire, as well as the reflection of the red LEDs on the shiny black paper.
I want my piece to preserve a rough aspect as a mechanism of the old times, and I will put mirrors around it to enhance its life and death.
I had a hard time trying several possibilities in my code. It is not finished yet, and need to work on it a lot more! But it shows all the LEDs on HIGH with two of them blinking.
I didn't use arrays because I couldn't get it working as I wanted.
/* Myriam Aboukhater - code for the "Dying Arrow"
13 LEDs are on HIGH at first, then they blink and pass on LOW one at a time
*/
int Pin1 = 1;
int Pin2 = 2;
int Pin3 = 3;
int Pin4 = 4;
int Pin5 = 5;
int Pin6 = 6;
int Pin7 = 7;
int Pin8 = 8;
int Pin9 = 9;
int Pin10 = 10;
int Pin11 = 11;
int Pin12 = 12;
int Pin13 = 13;
int value = HIGH; // previous value of the LED
long previousMillis = 0; // will store last time LED was updated
long interval = 1000; // interval at which to blink (milliseconds)
void setup()
{
pinMode (Pin1, OUTPUT);
pinMode (Pin2, OUTPUT);
pinMode (Pin3, OUTPUT);
pinMode (Pin4, OUTPUT);
pinMode (Pin5, OUTPUT);
pinMode (Pin6, OUTPUT);
pinMode (Pin7, OUTPUT);
pinMode (Pin8, OUTPUT);
pinMode (Pin9, OUTPUT);
pinMode (Pin10, OUTPUT);
pinMode (Pin11, OUTPUT);
pinMode (Pin12, OUTPUT);
pinMode (Pin13, OUTPUT);
}
void loop()
{
digitalWrite (Pin1, HIGH);
digitalWrite (Pin2, HIGH);
digitalWrite (Pin3, HIGH);
digitalWrite (Pin4, HIGH);
digitalWrite (Pin5, HIGH);
digitalWrite (Pin6, HIGH);
digitalWrite (Pin7, HIGH);
digitalWrite (Pin8, HIGH);
digitalWrite (Pin9, HIGH);
digitalWrite (Pin10, HIGH);
digitalWrite (Pin11, HIGH);
digitalWrite (Pin12, HIGH);
digitalWrite (Pin13, HIGH);
// if (millis() - previousMillis > interval) {
//previousMillis = millis(); // remember the last time we blinked the LED
if (value == HIGH) {
digitalWrite(Pin3, LOW); // sets the LED on
delay(70); // waits for a second
digitalWrite(Pin3, HIGH); // sets the LED off
delay(70); // waits for a second
digitalWrite(Pin7, LOW); // sets the LED on
delay(10); // waits for a second
digitalWrite(Pin7, HIGH); // sets the LED off
delay(10);
}
}
}
